I used to be a reader. In home school there was little else to do. By the time I started public school in 8th grade, I had read everything I would be assigned to read through senior year AP English, with the exception of The Handmaid’s Tale. After high school, I became so engrossed in playing/listening to/seeing music that books were largely a thing of the past. I can sum up the books I have read, post-2001, in a few simple categories: music biographies, books about dragons, clever books by fashionably eccentric hit-or-miss authors (Palahniuk/Vonnegut/BEE), and books by Denver Nicks. I knew Denver from college and he introduced me to Fugazi via a decently played riff on his acoustic guitar, so any time he writes a book, I make a point to read it. Continue reading Book Review: Hot Sauce Nation by Denver Nicks
Complacency is the killer of brilliance. Too many bands of have exchanged their golden ages of creativity for steady paychecks collected by touring a greatest hits package. You know the bands I’m talking about; the ones who play decently and create an illusion of variety by simply making one or two slight adjustments to a setlist night after night. This last Friday at Verizon Field, Brand New gave a master course in how to remain vital even in the face of a creative lull. Continue reading Live Review: Brand New at Verizon Field, 7/22/16
There are people who will swear that Badmotorfinger is a better album than Superunknown – those people are wrong. On Badmotorfinger there may be some moments that are better, or even a song that is better, but as a cohesive, digestible piece of art, Superunknown is simply a superior album. When Diarrhea Planet releases Turn To Gold next week, fans of the I-like-their-old-stuff-ilk are sure to come scurrying out of the woodwork but the fact of the matter is that Turn To Gold is the best album Diarrhea Planet has released…so far. Continue reading Album Review: Diarrhea Planet – Turn To Gold
At its core, John Congleton’s, Until The Horror Goes, is a meditation on dissonance.
This record, more than most, is impossible to accurately separate into its components, words and music. Taken alone, the music is frequently off-putting. Taken alone, the melodies are incredibly catchy. Taken alone, the lyrics could read like the prose of a young writer who just discovered Nietzsche. But together, together they tear down the facade each individual part component creates and reveals the true nature of the artist. Continue reading Album Review: John Congleton and The Nighty Nites – Until The Horror Goes
Deftones are the San Antonio Spurs of the music world. Their output is consistent in quality album after album after album. They don’t always win the championship but they are always in the running. Continue reading Album Review: Deftones – Gore
***disclaimer, this is a day late due to St Patrick’s Day and a Deftones concert last night***
Today marks the 15th anniversary of The Toadies defining masterpiece, Hell Below/Stars Above. The world was a strange place back in 2001; “punk” music was basically family-friendly and rap-rock dominated the airwaves with an iron-grip not seen again until Adele popped her head up a decade later. Hell Below/Stars Above was the wrong music for the wrong time, nobody heard the album, and The Toadies never had a chance. For the few of us that did happen to hear the album though, it was a game-changer. Continue reading Milestone Albums: The Toadies – Hell Below/Stars Above
As 2015 comes to an end, I am reminded of what a fantastic year it has been for music. There is so much that I have listened to, in some cases since the very beginning of the year, that has completely enriched my life this year. I have included my top 15 favourite albums for you to hopefully enjoy as much as I have. (HINT: Click the album cover to go the album on Spotify) Continue reading The Best Albums of 2015
Comparing the new Titus Andronicus(hereafter +@) album, The Most Lamentable Tragedy(hereafter TMLT), to another album in existence is an exercise in futility. A fairer work of art to compare it to would be James Joyce’s Ulysses in terms of sheer verbal density, wealth of motifs, and commitment required by the consumer. Stated bluntly, TMLT is a rock opera masterpiece that because +@ are committed to taking the listener on a very specific journey oftentimes at the expense of modern pop conventions. Continue reading Album Review: Titus Andronicus – The Most Lamentable Tragedy
Heavy metal is a stubborn genre that it is generally not accepting of any sort of deviations from the norm (please see exhibits A – Metallica/Load and B – Machine Head/The Burning Red). Heavy metal has only ever had one commandment – Play harder, louder, and faster. This puts obvious constraints on a band wanting to play metal music some thirty years after the emergence of the genre. The peak of human riff speed has already been achieved and the throat can only be so guttural before it gives out. So what’s a new band supposed to do? Continue reading Album Review: Fear Control – The Monster
Few are willing to put in the work needed to achieve their goals. Even fewer have a work ethic that keeps them working long after they have hit success and subsequently watched it unfairly erode from under them.
With the 1996 single, “Bound For The Floor,” Local H stormed Continue reading Review/Opinion – Local H @ Three Links, Dallas, TX 5/2/15